Special Exhibition30th Anniversary Exhibition: The Seven Lamps of The Art Museum

Things That the Museum Protects, and Things That Protect the Museum

The Hiroshima City Museum of Contemporary Art was opened in 1989 as the first public museum in Japan specializing in contemporary art. Commemorating the facility’s 30th anniversary, this exhibition focuses primarily on the trajectory of the museum’s activities and the architecture that has served as a foundation for them. Drawing on the collection, which has been amassed over the years, and documents related to the museum’s various programs along with some new works by participating artists and other materials, the exhibition will unfold throughout the entire facility. Based on a series of keywords such as viewer, architecture, place, conservation, history, deviation, and in-between, the exhibition looks back at these aspects and sets out to reexamine the museum’s appropriate role and various factors that support its activities.

Exhibition flyer(PDF:3.68MB)

1. The Viewer: Expressions Rooted in Participation
Needless to say, the museum could not survive without visitors. In this section, adorning the beginning of the exhibition, we present a group of works that are realized through visitors’ influence and participation, seemingly exemplifying the special features of the museum as a place.

2. Storage and Symbols: Museum Architecture and Outdoor Sculpture
The Hiroshima City Museum of Contemporary Art is in itself a work of architecture designed by Kisho Kurokawa, and the sculpture on permanent display combines with various design elements within the building to create a place for storing and viewing art. In this section, we examine the facility’s architectural appeal while showcasing the design of the furniture and sign system, and the sculptural works that are integrated into the architecture.

3. Here: Hiroshima and HIROSHIMA
The museum is inseparably linked to the place where it was built. Moreover, in order to emphasize the fact that Hiroshima is an atomic-bombed city, its name is often written in the katakana syllabary (in English, we have used all caps to convey the same meaning). At the museum, both Hiroshima and HIROSHIMA are important themes in our work.

4. Leaving Something Behind: The Current State of Restoration and Conservation
One of the museum’s most important functions is to collect and preserve artworks and documents. To achieve this, one of our primary tasks is to save works of contemporary art, which often make use of non-traditional materials and methods, and which are based on completely different concepts.

5. Accumulation: Recording Museum Activities through Documents and Related Works ? Art Direction by Mata Mata
While striving for continuity and accumulating data, the museum considers different approaches and directions according to each project. By combining related works and documents charting the museum’s course from the preparatory stage to the present, the locally-based design unit Mata Mata will oversee the art direction for this retrospective.

6. “Re-Search”: Exploration and Deviation ? A New Installation by Yuichiro Tamura
Relying both on history and context, and imaginative leaps, the artist Yuichiro Tamura examines the background of places and things as he spins a fanciful story composed of various elements. These efforts will come to fruition in an installation work based on Tamura’s research of the museum’s architecture and the era in which the facility opened, and his own bold associations.

7. In-Between, Openings, Etc.: Works That Make Use of Gaps in the Museum
  In events such as the Open Call for Art Project Ideas, in which the public is invited to submit new practical plans for places in the museum that are not used for normal exhibitions, many artists have created displays by reinterpreting spaces in a creative manner. Perhaps these efforts indicate that certain expressions that cannot be conveyed using the traditional museum framework.

 

Date March 9-May 26, 2019
Hours 10:00-17:00 (Last admission 16:30)
Closed Mondays (except April 29 and May 6) and May 7
Admission Adults 1,200 (1,000) yen, University students 900 (700) yen, High school students and seniors [65 and over] 600 (500) yen
*Junior high school students and younger: Free admission
*Admission to all exhibitions free on May 3
*May 5(Children’s Day): Free for children through high school
*Figures in parentheses: Advance purchase and groups of 30 or more
Organized by Hiroshima City Museum of Contemporary Art, The Chugoku Shimbun
Supported by Hiroshima Prefecture, Hiroshima Municipal Board of Education, Hiroshima FM Broadcasting Co., Ltd., and
Onomichi FM Broadcasting Co., Ltd.

Section1
Yoko Ono, WISH TREE for HIROSHIMA, 2011

Section2
Hiroshima City Museum of Contemporary Art

Section3
Alfredo Jaar, Teach Us to Outgrow Our Madness (for Hiroshima), 1995

Section4
Koki Tanaka, everything is everything, 2005-06

Section5
Announcement flyer of Museum's Opening, 1986

Section6
Referential Image by Yuichiro Tamura